9/11 EXPLAINED TO THE FBI
Osama bin Laden or... Arnon Milchan?
Thousands of architects and engineers tirelessly repeat: it was a controlled demolition that caused the collapse of the third World Trade Center tower (WTC7) in the afternoon of September 11, 2001. This simple fact definitively buries any claim to the credibility of the official narrative and demands moving to the next step: identifying plausible suspects. Let us recall that Russian General Leonid Ivashov believes that “only intelligence services and their current or retired leaders [...] are capable of planning, organizing, and executing an operation of such magnitude.” Former head of German domestic intelligence, Eckart Werthebach, says much the same: “Such a sophisticated operation requires the ‘fixed framework’ of a state intelligence organization.”
This investigation relies on a new element to support the hypothesis of a false flag operation orchestrated by Israeli intelligence services and politically exploited by their accomplices: the neoconservatives of the Project for the New American Century. This new element —fitting into an already substantial puzzle of verified facts pointing suspicions toward the State of Israel— stems from the following question: why does Swordfish, a Hollywood film from June 2001 depicting a heist causing only accidental deaths, include, through the words of a wealthy —and cinephile— “ex-Mossad agent,” a recurring defense of the sacrificial and “patriotic” massacre —to “save our way of life”— of “a thousand” innocent Americans on their own soil, while also glorifying the launch of an expensive “war on terror” singularly marked by the elimination of an individual ostensibly modeled on Osama bin Laden?
Are you familiar with the rhetorical strategy of concealment known as Aesopian language?
This investigation seeks to demonstrate that Gabriel Shear, the supposedly fictional character celebrated in Dominic Sena’s film, is none other than a flattering, barely veiled representation of a towering figure in the shadows of Israeli power: the spy, arms dealer, film producer, and billionaire Arnon Milchan.
Is it unreasonable to suspect that these attacks could be —as Saudi Arabia’s King Salman, among others, believes— a “plot” by the Mossad? Certainly not. Is it unreasonable to suspect that former Lekem agent Arnon Milchan could have —as American journalist Christopher Bollyn already suspects— played a role in said plot? Certainly not. Is it unreasonable to presume he could have been the mastermind? Given his stature —Sumner Redstone called him "Mr. Israel"— certainly not. Is it unreasonable to imagine that, thrilled by his accomplishments and frustrated by not being able to boast about them, he commissioned a script covertly glorifying this operation and the brilliance of his own leadership? Considering that the main producer of Swordfish is one of his close friends, with whom he vacations, the answer is, once again: certainly not.
One thing is certain: no work has ever gone so far in the quest to uncover the identity of the puppeteers behind this Machiavellian attack.